affirmation accordion

Life is full of ups and downs and twists and turns; oftentimes, the unknown can lead to doubts and questioning. For my project today, I created a small affirmation accordion journal. Something little that can make a big impact in turning your thoughts around, just by opening it. A friend of mine had sent me a stamped saying a while back that really struck a chord with me. I have had it on the corner of my work table so that I could see it every time I went in to create. It is amazing how such a small reminder can make a difference. This was the inspiration behind my affirmation accordion.

Sometimes journals can be oversized and intimidating, I thought for this piece I would work with Gypsy Soul laser Cuts ATC sized ticket journals. These are a lot of fun to work with and their size is perfect to pop into a pocket or bag and carry with you. I begin with two sets of the ATC ticket journal, knowing that I will be adhering the first and last "tickets" onto my own covers, I want the inside to have more interior pages than the one piece will provide. Each piece contains a strip of five tickets.

To create the cover and back panel that the "tickets" will be attached to, I measure the size of the ticket journal when it is folded up, then add 1/8" all around so that the ticket journal will nestle snugly inside. The exposed side of each of the these cover pieces is faced with faux wood that I created using a 3D embossing folder. I love how it looks like real wood, yet is actually paper that has been embossed, painted and inked. On the interior faces of these pieces, I cut patterned paper to fit and ink around the edges. The first and last "ticket" will be attached onto these papers so I chose something that is appropriate for a background, yet adds interest.

My accordion will be secured by means of a ribbon that wraps around the outside and ties. This ribbon is kept in place by being thread through two eyelet holes in the back cover. The eyelets are set and piece of ribbon is pulled through before I adhere the last ticket to the back cover. When attaching this piece, I make sure to only adhere around the edges so that the ribbon is allowed to move freely.

Once I have prepared the covers, I set about creating the pages that will form the inside. The seasons are changing, the weather may be warm, but fall is in the air. I love the beautiful colors that nature presents to us in this time of change and decide to use this as inspiration for my color choices. I choose some favorite papers from my stash in coordinating patterns, as well as some collage tissue, solid pieces and possible embellishments. The papers are cut to fit each ticket face. This step requires a bit of planning as I want each page to work well with the one it is adjacent to, yet retain its own individual presence with in the accordion. It helps to visualize the interaction of sides by folding the accordion during this planning stage.

When considering interior pages, I decide to incorporate some pieces from the Gypsy Soul Laser Cuts honeycomb and bees small set. I think the pieces will complement the paper patterns really well. I cut some areas of the honeycomb apart to fit how I envision them on the tickets. Each of the pieces is coated with vintage beeswax embossing powder. My accordion uses one and a half GSLC ticket journal pieces, the remaining tickets can be set aside for another project. The tickets that will be secured to the covers are coated in gesso, allowed to dry and then collaged with vintage collage medium and floral collage tissue. I also create a couple extra tickets in this same manner to be used throughout.

Before adhering any of the paper pieces, I attach strips of linen binding tape to each external (mountain) fold. This will reinforce the folded edge, which will help prevent tearing. The strips are inked with distress ink so they blend into the design. All of the internal (valley) folds are covered with pieces of coordinating design tape. Since these are the inside edges of the reinforced folds, it is really more for decorative purpose. Most often when I begin to assemble the pieces, I tend to re-arrange a bit, since I have some extra pieces, it is easy to make adjustments to backgrounds. I attach the papers to the ticket bases with double sided adhesive tape. Some of the collage pieces are attached with collage medium. The front cover is attached along with all of the interior pieces; I wait to attach the back cover until the inside pages are complete. This way the ribbon does not get in the way or covered with glue. I color the seam binding ribbon with distress oxide inks to coordinate.

The final step in creating the accordion is embellishing each of the pages. I apologize for the lack of process photos during the assembly, I seem to have gotten caught up in the arrangement of pieces.

 Following are close ups of the finished pages with some description for materials:

The cover contains a quote token that has been colored with alcohol inks and edged with burnt copper leaves embossing powder. Distress crayon is rubbed into the text impressions.

The collage paper covered ticket is attached to the inside of the cover and a few metallic quote stickers are added. The adjacent page is a layering of die cut papers, the central portion cut from worn wallpaper and adorned with a few simple stitches and a rub-on "wish".

Next are a couple of my favorite pages, the inspirational piece (the stamped sentiment on a tea bag) is flanked by two lengths of inked lace trim and another metallic quote sticker. The honeycomb piece is coated with vintage beeswax embossing powder and attached to the stamped paper background. Some of the cells are filled with beeswax embossing powder and melted, remnant rub words complete this page.

Flowers are die cut from text pages and colored with distress ink, then coated with vintage beeswax embossing powder. These are tied together into a bouquet with craft thread and attached to the center of the framed ticket. On the right, a reminder to be true to yourself. It is not always easy to rise above the general flow, but it is what makes each of us important as individuals. The background paper is inked and stenciled. Golden highlights are added around the quote stickers. A hinged ticket reveals the words "be true."

Always seek wisdom, it helps us to learn and grow. The word SEEK is die cut from the base paper revealing colored paper below. Another piece of beeswax-embossed honeycomb contains open cells which include positive thoughts. The embossed bee is from the GSLC set. Another collage paper covered ticket is attached inside the back cover and contains one of my favorite sayings.

Turning the accordion over to reveal the back sides of the interior pages:

A single stem from the bouquet is attached to the ticket with the words "listen to your heart."

A framed piece of worn wallpaper displays a shadowed "love" die cut and a small ticket with a mirrored heart and clippings sticker. When we let our hearts guide us, we are destined for good.

One of the additional collage paper covered tickets is located in the center of the accordion, with a metallic quote sticker. Some craft thread with glass beads creates a page holder.  A collage frame leaves some open space to include future thoughts.

Four brads secure the band which holds tickets made of the various papers used to create the pages. These will be used to include positive thoughts and memorable sayings or events. The last ticket page is simply a beautiful layered composition.

I really enjoyed creating this affirmation accordion with the Gypsy Soul Laser Cuts ATC ticket journal pieces. I hope that you are inspired to create something beautiful. Thank you so much for taking the time to visit today. 

A little kindness can make a world of difference.

~Ann 

I am entering this project in:

Mini Album Makers Challenge - September 2018

Simon Says Stamp Monday Challenge - Stamp It On

(my inspiration piece is a stamped image and I have stamped bees throughout the accordion)

Simon Says Stamp Wednesday Challenge - Anything Goes

Supplies used:
Gypsy Soul Laser Cuts: ATC ticket journal, honeycomb and bees small
Distress collage medium: matte, vintage
Distress ink: black soot, peeled paint, walnut stain, worn lipstick
Distress Oxide ink: aged mahogany, tattered rose, wild honey, worn lipstick
Emerald Creek allure embossing powder: burnt copper leaves
Seth Apter/Emerald Creek vintage beeswax baked texture embossing powder
Tim Holtz Eclectic Elements craft thread
Tim Holtz Ideaology:
clippings stickers, collage paper - floral, crinkle ribbon, fasteners, lace, quotations metallic stickers,
 quote token, remnant rubs,
Tim Holtz/Sizzix 3D Texture Fade: lumber
Tim Holtz/Sizzix Movers and Shapers: ticket
Tim Holtz/Sizzix Thinlits:
celebration words, flower jar, gift tags, stacked label, traveler words
Tim Holtz/Stampers Anonymous mini stencil THMS075

Amphitrite "queen of the sea"

It seems as though the longer the winter weather continues to hold on, the more my thoughts drift towards the ocean. These thoughts bring visions of the soothing blues and greens of the depths; and of sea nymphs, beautiful fish, coral formations and shells, and of Poseidon. As the legend goes, Poseidon had a wife/consort whose name was Amphitrite. She was considered "Queen of the Sea".
Today I am on the Gypsy Soul Laser Cuts blog sharing my "queen of the sea" inspired piece.

My project begins with Gypsy Soul Laser Cuts chipboard decorative tags X-large. This set of tags contains 3 different shapes that are very generous in size. I know that they will be able to hold my beautiful Amphitrite perfectly. I am using the tags as a trio for my piece; however, they could be used individually or even paired up.

Once I have an idea for the direction I want to take, I select a paper to use for the background. The chipboard tag is heavy enough to handle medium on one, or both, sides of the tag. When I create tags, the back sides usually end up covered with paints and inks, so I plan to cover the back sides as well as the front. I am using a Prima paper from the Royal Menagerie collection on the front sides of my tags. Before I begin, I choose colors that will coordinate nicely with the front paper and, using distress oxide and distress inks, I color a large sheet of watercolor paper. This is cut to size and will be adhered to the back of the tags after I have completed the front of my pieces.  

I first adhere the paper to the front of the tag using collage medium. I like to use a brayer to assure there are no air bubbles, as well as to flatten out the paper. Once the collage medium is dry, I trim around the edges with my Exacto knife. I then use a standing block to rough up some of the edges. I ink the paper with Distress Ink in salty ocean, tumbled glass, mermaid lagoon and cracked pistachio; spritz with water, then allow to dry completely.

While the backgrounds are drying, I gather my stamps and some Bristol cardstock. Using my stamping platform, I stamp mermaid parts and heat emboss them with clear embossing powder. This ensures that the edges stay crisp when I color the images. The stamps I am using for the mermaid and shells are from the Character Constructions She Sells Seashells Collection by Catherine Moore. I also stamp the octopus, Fish and seahorse onto Bristol and clear emboss. The seaweed, coral and sea creatures are all part of the Tim Holtz Sea Life stamp set by Stampers Anonymous. Once colored, all of these pieces are fussy cut, assembled, embellished, and set aside.

I want the piece to include some real shells to give it more dimension. I gather a few shells from my stash and paint on some with Dina Wakley acrylic in Gilt. As this dries, I paint some embossing ink on the bottom of the tags, sprinkle with dirty sand Baked Texture embossing powder by Emerald Creek/Seth Apter, and heat emboss, while it is still warm, I add bit more sand to those areas, and then let it cool completely.

Using the stamping platform, I arrange the tags side by side and decide on placement of the seaweed and coral. These are stamped using archival inks in fern green and sepia.

I play with the arrangement of images and embellishments to figure out the perfect location for the title "queen of the sea" which will be stamped in cornflower blue archival ink directly onto the tag. Once I decide, in order to ensure that the image is placed correctly, I first do a sample stamping, which I use for placement of the individual letter stamps. I then remove the sample before inking the rubber stamp and stamping directly onto the tag. The letters are from the Tim Holtz Worn Text stamp set by Stampers Anonymous.

Once this is dry, I place the pieces back onto the tags in their appropriate spots and finalize the layout. To counterbalance the octopus in the upper right, I add a "rusty" anchor on the left. The anchor is a wooden piece that I have made "rusty" by heat embossing with chunky rust Baked Texture by Emerald Creek/Seth Apter.

Everything is glued down and allowed to dry overnight. I am unsure about how I will attach the panels together, so I color some crinkle ribbon with the same inks used on the background, spritz with water, and dry with a heat gun. This ribbon may be woven through holes along the seams of the tags.
My other consideration is to use a piece of fishing net.

I ultimately decide on using the fishing net. The net is glued along the back side of all three tags, tying them together.

Thanks so much for stopping by my blog today.
I hope that your thoughts inspire you to create something wonderful.
~Ann


I am entering this project in:
A Vintage Journey April Challenge - Rusty and Crusty